
Harry Partch (1901-1974) was active between 1930 and 1972 as a composer, theorist and instrument inventor. He built his instruments in a new microtonal tuning system for the performance of music dramas, dance theater, multi-media extravaganzas, vocal music and chamber music. Influences for his work included Greek mythology, Asian and Native American music and his experiences as a hobo. He developed a "concept of corporeality" based on the integration of the elements of speech with music that explored expanded melodic and harmonic possibilities. He was the author of a treatise, Genesis of a Music, that explained his philosophy and theory of intonation. Curriculum:
For more information, contact: Gina Balestracci, Academic Administrator See course curriculum from the MSU Undergraduate Catalog: |
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