The Danceaturgy Archive
The Danceaturgy Archive: an anecdotal and scholarly reference work-in-progress at The Creative Research Center
Montclair State dance majors showcased their skills at the Kennedy Center in Washington, D.C.,
during the National American College Dance Festival (ACDF) held June 5-7, 2014.
The Danceaturgy Archive is an annotated, catalogued, keyword-searchable hybrid text and visual record [Web-based/digital/dvd/paper documentary] of choreographic interviews, presentations and performances in The Dance Division of the Department of Theatre & Dance in The College of the Arts at Montclair State University.
Danceaturgy is an observational strategy invented at MSU as a variant of dramaturgy in the world of theatre (reiterated by Erving Goffman in homage to G.E. Lessing’s Hamburg Dramaturgy of 1767). As a pedagogical process, selected dance students/writers are chosen from repertory classes to examine the works in which they are performing, and given the task to develop a critical analysis of the works by “stepping out” and looking at pieces objectively.
The danceaturg is the performer-as-spectator, in contradistinction to the theatrical dramaturg; and The Danceaturgy Workshop is offered as a credit-bearing course every spring.
The Danceaturgy Archive is an ongoing effort to make centrally-available published andunpublished on-site dance videos; dance writings; rehearsal notes; oral history in-person and telephone interviews with visiting repetiteurs and choreographers who trained and performed with the masters of modern dance; conversations with MSU dance faculty; Informance plans; themed repertory curatorial notes; “Talkback” and rehearsal/staging videos; and weekly email Letters from a Danceaturg by Dr. Neil Baldwin to Dance Division Director Lori Katterhenry (sent through her to MSU dance majors and faculty, and other interested readers around the College, the University and the world).
The Danceaturgy Archive memorializes the historic commitment by the MSU Dance Division to the modern dancelegacy, and to the preservation of cultural patrimony, at a complex time in our culture when the values of a liberal education are under inordinate scrutiny. The Dance Division believes that the arts are the life’s blood of that education, and is committed to inculcating in its students the necessity for an historic consciousness of an ephemeral form.
The Danceaturgy Archive offers herewith its first documentary compilation, a six-year retrospective survey of the activities of The Dance Division: Danthology | 2013 | 2012 | 2011 | 2010 | Informance 2009 | Informance 2008.
In Spring 2013, The Danceaturgy Archive produced three new documentaries in what will be an ongoing series: Bill T . Jones: Continuous Replay (by Kenneth Spooner); and Informance and Jasmin Vardimon in conversation at Kasser Theater (by Lindsey Rassmann).
As of May 2014, The Danceaturgy Archive has added the following new material to its burgeoning collections: Three Interview/Conversations by Neil Baldwin with Bill T. Jones on Spent Days Out Yonder; Wayne McGregor on Atomos and other works; and Carrie Ann Shim Sham on Stardust. A presentation by Jim May and Elizabeth McPherson on the work of Anna Sokolow. The Dance Department Informance and the Danthology on the repertory theme of Minding the Dance by the 2014 Danceaturgs. [All archival videos are filmed and edited by Kenneth Spooner].
As of May 2015, The Danceaturgy Archive has added the following new video material to its collections:
Amanda McKerrow and John Gardner on Anthony Tudor's Continuo (1971)
Heidi Latsky on Dance for Film at MSU
Larry Keigwin on Megalopolis
Sean Curran on Symbolic Logic
Kathleen Kelley's A Note for the Dancer
The Danceaturgy Workshop Seminar spring 2015 presents its Danthology with Informance 2015 essays