The Danceaturgy Archive
The Danceaturgy Archive: an anecdotal and scholarly reference work-in-progress at The Creative Research Center
Montclair State dance majors showcased their skills at the Kennedy Center in Washington, D.C.,
during the National American College Dance Festival (ACDF) held June 5-7, 2014.
"Dance studies has always been interdisciplinary, even if [it] has been neither sufficiently acknowledged nor fully theorized. The difficulty of traversing disciplinary divides and accommodating diverse media without losing a focus on dance is nevertheless a primary reason that 'modernism and dance' remains a topic in need of discussion."
-- Carrie J. Preston, Modernism and Dance, 2014.
"What is a Danceaturg? and What Do We Do?" - to read the answer to this question, collectively written by the 2016 Danceaturgy students, go here.
The Danceaturgy Archive is an annotated, catalogued, keyword-searchable hybrid text and visual record [Web-based/digital/dvd/paper documentary] of choreographic interviews, presentations and performances in The Dance Division of the Department of Theatre & Dance in The College of the Arts at Montclair State University.
Danceaturgy is an observational strategy invented at MSU as a variant of dramaturgy in the world of theatre (reiterated by Erving Goffman in homage to G.E. Lessing’s Hamburg Dramaturgy of 1767). As a pedagogical process, selected dance students/writers are chosen from repertory classes to examine the works in which they are performing, and given the task to develop a critical analysis of the works by “stepping out” and looking at pieces objectively.
The danceaturg is the performer-as-spectator, in contradistinction to the theatrical dramaturg; and The Danceaturgy Workshop is offered as a credit-bearing course every spring.
The Danceaturgy Archive is an ongoing effort to make centrally-available published andunpublished on-site dance videos; dance writings; rehearsal notes; oral history in-person and telephone interviews with visiting repetiteurs and choreographers who trained and performed with the masters of modern dance; conversations with MSU dance faculty; Informance plans; themed repertory curatorial notes; “Talkback” and rehearsal/staging videos; and weekly email Letters from a Danceaturg by Dr. Neil Baldwin to Dance Division Director Lori Katterhenry (sent through her to MSU dance majors and faculty, and other interested readers around the College, the University and the world).
The Danceaturgy Archive memorializes the historic commitment by the MSU Dance Division to the modern dancelegacy, and to the preservation of cultural patrimony, at a complex time in our culture when the values of a liberal education are under inordinate scrutiny. The Dance Division believes that the arts are the life’s blood of that education, and is committed to inculcating in its students the necessity for an historic consciousness of an ephemeral form.
The Danceaturgy Archive offers herewith its first documentary compilation, a six-year retrospective survey of the activities of The Dance Division: Danthology | 2013 | 2012 | 2011 | 2010 | Informance 2009 | Informance 2008.
In Spring 2013, The Danceaturgy Archive produced three new documentaries in what will be an ongoing series: Bill T . Jones: Continuous Replay (by Kenneth Spooner); and Informance and Jasmin Vardimon in conversation at Kasser Theater (by Lindsey Rassmann).
As of May 2014, The Danceaturgy Archive has added the following new material to its burgeoning collections: Three Interview/Conversations by Neil Baldwin with Bill T. Jones on Spent Days Out Yonder; Wayne McGregor on Atomos and other works; and Carrie Ann Shim Sham on Stardust. A presentation by Jim May and Elizabeth McPherson on the work of Anna Sokolow. The Dance Department Informance and the Danthology on the repertory theme of Minding the Dance by the 2014 Danceaturgs. [All archival videos are filmed and edited by Kenneth Spooner].
As of May 2015, The Danceaturgy Archive has added the following new video material to its collections:
Amanda McKerrow and John Gardner on Anthony Tudor's Continuo (1971)
Heidi Latsky on Dance for Film at MSU
Watch Neil Baldwin interview Heidi Latsky on her new dance for film, Soliloquy.
A three-part conversation in Kasser Theatre: Part 1 - Part 2 - Part 3
A documentary "behind the scenes" of Soliloquy
The Danceaturgy Workshop Seminar Spring 2016 presents the Danceaturgs' April 1st Dance Day pre-show presentation of the Danceworks Repertory, moderated by Prof. Elizabeth McPherson, and filmed and edited by Craig Gorbunoff: https://www.youtube.com/watch?v=LwrcqI_yTjs&feature=youtu.be
The Dance Division has launched its new Low-Residency MFA. Danceaturgy will be taught at the graduate level commencing Summer 2017. To read a prospectus for the course, go here.
In October-November 2016, Neil Baldwin interviewed guest choreographer Larry Keigwin during the process of creating and setting his new dance, Mad Rush, on MSU Students. The Biography of a Dance was conducted in three sessions:
On the occasion of the American premiere of her new dance, Figure a Sea, presented by PEAK Performances at the MSU Kasser Theatre in October, 2016, choreographer Deborah Hay sat down with Neil Baldwin for this wide-ranging interview:
On Dance Day, April 7, 2017, the Danceaturgs introduced the Dance Works repertory and answered questions from the audience:
During the spring 2017 semester, the members of the Danceaturgy Workshop Seminar compiled a dictionary of dance terms in their own words. Read their work.
During June, 2017, students in the low-residency MFA in Dance explored the poetics of Danceaturgy. Read their work here: Poetics of Dance - June 2017.
In October, 2017, Neil Baldwin interviewed distinguished visiting choreographer Pam Tanowitz about her new work in collaboration with pianist Simone Dinnerstein based upon the Goldberg Variations by J.S.Bach.