Music History

Laura Dolp   Laura Dolp
Associate Professor - Music History
General Education Studies
Program Coordinator
973-655-6883
dolpl@montclair.edu

Laura Dolp - Website
Cali School Music History Website

Laura Dolp teaches undergraduate history and a diverse range of graduate seminar special topics. Her interdisciplinary research explores the historical agency of music as a site of human transformation: including music and spirituality, the interrelation of music and social spaces, mapping and musical practices, and the poetics of the natural world. Currently she is working on two book projects; one that examines the historical relationship between cartography and the musical score, Maps and Music: Stories of the Cartographic Score, and another that considers the creative use and reception of the music of the Estonian composer Arvo Pärt, entitled Arvo Pärt and Visual Culture. She has edited Arvo Pärt's White Light: Media, Culture, Politics (Cambridge University Press, 2017) and is co-contributor to Cambridge Companion to Arvo Pärt (Cambridge University Press, 2012), Artistic Citizenship: Artistry, Social Responsibility, and Ethical Praxis (Oxford University Press, 2016) and The Oxford Companion to Music and Medievalism (Oxford University Press, 2018). Her research also appears in 19th-Century Music, the Journal of Musicological Research and altrelettere. She holds a Ph.D. in Historical Musicology from Columbia University.


Jeffrey Gall   Jeffrey Gall
Professor of Music
Music History
973-655-7213
gallj@montclair.edu

Jeffrey Gall made his Metropolitan Opera debut in 1988 - the first countertenor ever to sing at the Met. He sang Tolomeo in Handel'sGiulio Cesare, and in 1994 returned to the Met for Britten's Death in Venice. He studied voice at the Yale School of Music with Blake Stern, and holds degrees in Slavic languages from Princeton and Yale Universities. He sang with such early music ensembles as the Waverly Consort and Pomerium Musices early in his career and then moved on to solo roles in Baroque and contemporary opera. He has sung principal roles at La Scala, Teatro San Carlo (Naples) and La Fenice in Italy; the Théâtre des Champs-Élysées and the Salle Garnier in France; the Monnaie in Brussels; the Netherlands Opera; the Cologne and Frankfurt Operas in Germany; the Canadian Opera, as well as the Spoleto, Edinburgh, Innsbruck, Halle, Schwetzingen, and Bordeaux Festivals. In the United States he has sung at the San Francisco, Chicago Lyric, Santa Fe, Los Angeles, Dallas, Philadelphia, and Boston Operas, and has made many concert appearances at Lincoln Center and Carnegie Hall in New York, as well as at the Kennedy Center in Washington. He has recorded for CBS, Harmonia Mundi, Erato, Nonesuch, Titanic, and Smithsonian Records, and appears in the title role on the London video of Peter Sellars' production of Handel's Giulio Cesare. Prof. Gall has conducted clinics and master classes in both standard repertory and early-music techniques at music schools across the United States. In addition, he is a founding member of the Italian vocal ensemble Il Terzo Suono.


  David Witten
Professor of Music
Piano; Keyboard Studies Coordinator
Music History
973-655-4379
wittend@montclair.edu
David Witten - Website

Pianist David Witten has performed extensively in Europe, Russia, and South America. As a 1990 Fulbright Scholar, he spent five months in Brazil. Witten has recorded piano music of various Latin American composers. Witten's involvement in music has not been limited to performance. He is editor of Nineteenth-Century Piano Music: Essays in Performance and Analysis (Garland, 1997), which includes his landmark analytical study of the Chopin Ballades. Born in Baltimore, Witten studied at Peabody Conservatory, and Rubin Academy of Music in Jerusalem. His undergraduate studies at Johns Hopkins University led to a degree in Psychology. Later graduating with high honors from Boston University, he earned the D.M.A. degree in piano performance. Witten is currently Coordinator of Keyboard Studies at the Cali School of Music at Montclair State University.


Jung-Min Lee
Adjunct Professor
Music History
Main Office: 973-655-7212

Jung-Min (Mina) Lee teaches twentieth-century music history at MSU. Previously she taught music theory at Duke University and counterpoint and music criticism/appreciation at Baekseok Arts University in Seoul. Her dissertation, “National Identity Formation and Musical Modernism in post-World War II Korea,” is a cultural history of the translation of twentieth-century European musical modernism into Korea’s musical scene. Her study on Korean composer Tae-bong Chung has been published in a collection of essays by the Seoul National University Press in 2017. Current research interests include the reception of Béla Bartók in South Korea in the post-WWII decade and the reinterpretation of classical music in modern ballet. In addition to academic writings, she has written program notes for the Chamber Orchestra of the Triangle in Durham, NC, since 2015. She holds a Ph.D. in musicology from Duke University, a M.M. in piano performance from the Manhattan School of Music, and a B.A. in economics and music from Northwestern University.


Reba Wissner
Adjunct Professor
Music History
Main Office: 973-655-7212
wissnerr@montclair.edu

Reba Wissner received her M.F.A. and Ph.D. in musicology from Brandeis University and her B.A. in Music and Italian from Hunter College of the City University of New York. She is the author of articles on seventeenth-century Venetian opera, Italian immigrant theater in New York City, music in 1950s and 1960s television, and music history pedagogy and has presented her research on these topics at conferences throughout the United States and Europe. She is the author of A Dimension of Sound: Music in The Twilight Zone (Pendragon Press, 2013) and We Will Control All That You Hear: The Outer Limits and the Aural Imagination (Pendragon Press, 2016) and is currently working on both her third book, Music and the Atomic Bomb in American Television, 1950-1969 (under contract with Peter Lang International Academic Publishers, forthcoming in 2020) and a collaborative book and database project called Cues and Contracts: Music and the American Television Industry that examines music cues and their reuses, as well as administrative documents related to American television music production. She is also co-editing a volume on the music and sound design in Twin Peaks. Dr. Wissner is the recipient of numerous awards and grants including a travel grant to Venice for dissertation research from the Andrew W. Mellon Foundation and a Sight and Sound Subvention from the Society for American Music.