{"id":210354,"date":"2024-02-12T14:19:44","date_gmt":"2024-02-12T19:19:44","guid":{"rendered":"https:\/\/www.montclair.edu\/arts\/?p=210354"},"modified":"2024-04-02T14:20:54","modified_gmt":"2024-04-02T18:20:54","slug":"breaking-barriers-on-broadway","status":"publish","type":"post","link":"https:\/\/www.montclair.edu\/arts\/2024\/02\/12\/breaking-barriers-on-broadway\/","title":{"rendered":"Breaking Barriers on Broadway"},"content":{"rendered":"<p>Nicole D\u2019Angelo \u201917 recalls her excitement over a callback for a starring role in the groundbreaking, neurodivergence-centered Broadway musical\u00a0<i>How to Dance in Ohio<\/i>. However, she misread the email and missed her callback deadline.<\/p>\n<p>\u201cI was absolutely devastated. I kicked myself for weeks,\u201d says D\u2019Angelo, who felt she had so much in common with the character\u00a0Marideth, including her strong dislike of shoelaces.<\/p>\n<p>While she didn\u2019t get the part, D\u2019Angelo played a much bigger role in the landmark production, which made history by virtue of autistic actors playing autistic characters onstage. The show also employed many autistic people, including D\u2019Angelo, backstage. \u201cWe\u2019ve got autistic people everywhere,\u201d she says, smiling. She first joined the show as music assistant but right before it opened on Broadway, she was promoted to assistant music director. In addition, D\u2019Angelo counts among her credits, script consultant and member of the Access Team.<\/p>\n<p>It was D\u2019Angelo\u2019s initial virtual audition, during which she sang her own version of \u201cI Speak Six Languages\u201d from the\u00a0<i>25th Annual Putnam County Spelling Bee<\/i>, that led to her Broadway music role. She rewrote the lyrics to \u201cI Play Six Instruments,\u201d and was able to show off her musical talent by playing only six of the more than 20 musical instruments she plays. \u201cThey were able to see my acting and my singing but also my playing,\u201d she says.<\/p>\n<p>\u201cThough I would still love to play Marideth one day, I love that I wound up being able to assist in the creation of the show, because there surely will be future productions but the show is only written once,\u201d D\u2019Angelo says. \u201cBesides, now many of my quirks and massive sensory issues with food [\u2018a hater of pickles\u2019] have made it into Marideth\u2019s character, so she fits me even better.\u201d<\/p>\n<p>A passionate advocate for autistic people, D\u2019Angelo is especially proud of the advocacy and educational roles included in the script, as well as making the show accessible to everyone. From sound levels and toned-down lighting to cool-down spaces and sensory bags with fidget toys, sunglasses and headphones, the access team tried to cover every detail to make the show accessible and sensory-friendly for audience members. While much media coverage has focused on that and the feel-good aspects of the autistic actors\/characters, D\u2019Angelo\u2019s and other advocates\u2019 goals were to represent and inform. As the script consultant, she helped to shape the show\u2019s language.<\/p>\n<p>\u201cThis is a piece of advocacy. We take a very strong stance against these tropes in our show,\u201d she says. \u201cIt\u2019s my favorite part of the show that we\u2019re able to address something that we know in the disability community to be called \u2018inspiration porn,\u2019 which is media that basically uses disabled people to make non-disabled people feel better about themselves or it centers non-disabled people in disabled stories.\u201d<\/p>\n<p>D\u2019Angelo says she hopes people are inspired bythe subject and not the autistic actors. \u201cSaying, \u2018These people are so inspiring for putting themselves out there on stage\u2019\u2026you wouldn\u2019t say that about a<\/p>\n<div class=\"prpl-row\">\n<div class=\"prpl-column one-half\">\n<figure class=\"responsive-image-holder wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.montclair.edu\/responsive-media\/cache\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/REV.DAngelo-Headshot-1.jpg.2.2x.generic.jpg\" alt=\"Nicole D\u2019Angelo in a colorful, striped top.\" data-original-image=\"\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/REV.DAngelo-Headshot-1.jpg\" \/><figcaption class=\"wp-caption-text\"><span data-rich-links=\"{&quot;per_n&quot;:&quot;Nicole D'Angelo&quot;,&quot;per_e&quot;:&quot;nicole.m.dangelo@gmail.com&quot;,&quot;type&quot;:&quot;person&quot;}\">Nicole\u00a0<\/span><span data-rich-links=\"{&quot;per_n&quot;:&quot;Nicole D'Angelo&quot;,&quot;per_e&quot;:&quot;nicole.m.dangelo@gmail.com&quot;,&quot;type&quot;:&quot;person&quot;}\">D\u2019Angelo<\/span>\u00a0is a music director, multi-instrumentalist, singer and actor.\u00a0 (Photo by Shani\u00a0Hadjian)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"prpl-column one-half\">neurotypical actor,\u201d she notes. Instead, her hope is that people will leave the show with a desire to learn more about autism or be equipped to have conversations about autism and with autistic people.\u201cThe whole neurodiversity movement is about celebrating these differences and not hiding them in the way that is still the narrative around autism, and our show is a really great example of not hiding; we put it all out there,\u201d she says. \u201cWe\u2019ve had an incredible response from autistic people who have seen it, from parents of autistic kids who\u2019ve seen it and from people who came in not knowing anything about autism.\u201d<\/p>\n<p>That D\u2019Angelo landed in a Broadway production did not come as a surprise to her professors at Montclair\u2019s\u00a0John J. Cali School of Music, from\u00a0which she graduated with a Bachelor of Arts in Music Education.<\/p>\n<p>\u201cNicole is the kind of musician who raises the level of any ensemble because of a highly developed musical awareness and the ability<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>to adapt to any musical situation or environment,\u201d says the Cali School\u2019s Director of University Bands Thomas McCauley. \u201cNicole, even as an undergraduate student, was a highly motivated, multi-faceted musician. Nicole is, of course, a wonderful pianist but also played fantastic clarinet and bass clarinet in our Montclair Wind Symphony.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Cali School Coordinator of Music Education Marissa Silverman says she was lucky to have D\u2019Angelo not just as a student but also in a chamber ensemble. \u201cAs a teacher, I have never met anyone who has such a love for her learning and is equally passionate about music and the betterment of others,\u201d says Silverman. \u201cOn many occasions, I discussed Nicole\u2019s interests in reaching special needs students, particularly those with autism. At that point in time, Nicole wanted to someday open up a music school for special needs students. This admirable, caring and socially responsible goal paved the way for Nicole\u2019s work on\u00a0<i>How to Dance in Ohio<\/i>. Full circle, indeed.\u201d<\/p>\n<figure class=\"responsive-image-holder wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.montclair.edu\/responsive-media\/cache\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/398716498_18396368356018488_2451046377024392432_n.jpg.3.2x.generic.jpg\" alt=\"Four people, the music team for How to Dance in Ohio, sit in theater seats, smiling.\" data-original-image=\"\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/398716498_18396368356018488_2451046377024392432_n.jpg\" \/><figcaption class=\"wp-caption-text\">\nThe\u00a0<i>How to Dance in Ohio<\/i>\u00a0music team\u00a0(L to R): Composer Jacob Yandura, Assistant Music Director Nicole D\u2019Angelo, Music Assistant Jason Belanger and Associate Music Director Patrick Fanning. (Photo by Music Director Lily Ling)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Montclair was the only university to which D\u2019Angelo applied. Her parents are alumni, among Montclair\u2019s first computer science graduates in the 1980s, and it was also the only university with a bass clarinet concentration. It was her instrument of choice then because she doubted her piano-playing abilities but after auditioning, she was encouraged to focus on piano.<\/p>\n<p>\u201cI really wanted to do music therapy so I could work with autistic people like myself,\u201d D\u2019Angelo says, adding she had to decide whether to \u201cuse music education therapeutically or use music therapy educationally. I decided what I really wanted to do was teach music and have therapeutic effects in that way, so I switched to music education and piano because I realized I was good enough.\u201d<\/p>\n<p>After graduating from Montclair in 2017, D\u2019Angelo taught piano, teaching more than 50 students per week at one point. She also auditioned to join symphonies but soon realized that wasn\u2019t her calling.<\/p>\n<p>She recalled her love for musical theater while at Montclair but \u201cI didn\u2019t even consider that could be a career path,\u201d thinking \u201cthis is way too fun to be a job,\u201d she says. D\u2019Angelo decided to pursue acting and voice lessons instead. She joined EPIC Players, a Brooklyn-based \u201cneuro- inclusive theater company,\u201d and has worked in various capacities in more than 150 theater productions, primarily as a music director or pit musician. She won several starring roles, including Audrey in the off-off-Broadway production of\u00a0<i>Little Shop of Horrors<\/i>\u00a0and Tilly in a virtual production of\u00a0<i>She Kills Monsters: Virtual Realms.<\/i><\/p>\n<figure class=\"responsive-image-holder wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.montclair.edu\/responsive-media\/cache\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/64937375_10158680642859126_3431428253867311104_o.jpg.3.2x.generic.jpg\" alt=\"Nicole D\u2019Angelo sings on stage, surrounded by other musical cast members.\" data-original-image=\"\/newscenter\/wp-content\/uploads\/sites\/15\/2024\/01\/64937375_10158680642859126_3431428253867311104_o.jpg\" \/><figcaption class=\"wp-caption-text\">\nNicole D\u2019Angelo as Audrey in the EPIC Players\u2019\u00a0<i>Little Shop of Horrors<\/i>. (Photo by Ric Sechrest)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cThat was about five or six years ago, and I have not looked back since,\u201d D\u2019Angelo says. \u201cI did a whole bunch of work with them [EPIC Players]. I also got to hone my advocacy skills.\u201d<\/p>\n<p>In addition, in 2021, D\u2019Angelo launched an Etsy shop for handmade Broadway costumes for teddy bears three years ago. She\u2019s made and sold mini-Hamilton bears, Elizabeth Schuyler Bear (\u201cEliza Schuybear\u201d) and Baby Jenna Bear inspired by Sara Bareilles\u2019\u00a0<i>Waitress.\u00a0<\/i><\/p>\n<p>As for her autism, D\u2019Angelo says she self-diagnosed after reading\u00a0<i>Look Me in the Eye: My Life with Asperger\u2019s<\/i>\u00a0by John Elder Robison. Everything, from her sensory issues to her disdain for shoelaces and shoes, suddenly made sense. She says she tried to get an autism diagnosis from doctors and therapists but was dismissed as \u201ctoo social,\u201d having \u201ctoo many friends\u201d or \u201ctoo smart or gifted\u201d to be autistic.<\/p>\n<p>\u201cI never really made it through the formal diagnosis process because nobody took me seriously,\u201d she says. \u201cAutism causes sensory issues. I\u2019ve always had problems with loud noises. I\u2019ve had problems with fabrics. Everything just clicked when I read about that, and so I knew that was it.\u201d<\/p>\n<p>D\u2019Angelo says her mother recently reminded her that she would recoil during ultrasound appointments. \u201cEven in utero, I didn\u2019t like to be touched,\u201d she says laughing.<\/p>\n<p>Her advocacy work was born from that experience. \u201cIt sparked for me an interest in putting myself out there and being like, no, this is also what autism can look like. You have an idea of what it can be but also this is what it can be, and what I know to be true is valid.\u201d<\/p>\n<p>A former blogger, D\u2019Angelo is very involved in social media advocacy. \u201cI\u2019m putting my ideas out there, so people can see them.\u201d<\/p>\n<p>D\u2019Angelo says she\u2019ll continue to advocate and educate. \u201cThe thing that has been pervasive and that I\u2019m still continuing to have to educate people about is that for us, it\u2019s such an integral part of our identity,\u201d she says. \u201cSo much of the narrative around autism makes it seem as if autism is inherently a bad thing. It\u2019s just a thing. It\u2019s a thing, and it\u2019s challenging, but I wouldn\u2019t see the world the same way if I wasn\u2019t autistic.<\/p>\n<p>\u201cThere\u2019s no place where autism ends and Nicole begins.\u201d<\/p>\n<p>Story by Staff Writer<a href=\"https:\/\/www.montclair.edu\/profilepages\/view_profile.php?username=martinezsy\"><b>\u00a0Sylvia A. Martinez<\/b><\/a>.<\/p>\n<p>Note:\u00a0<i>How to Dance in Ohio<\/i>\u00a0has announced its closing on February 11.<i>\u00a0<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>How a mistake landed an autistic actor-musician and Montclair graduate the roles of a lifetime<\/p>\n","protected":false},"author":37,"featured_media":210355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,12],"tags":[],"class_list":["post-210354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-and-announcements","category-190_theatre-dance"],"_links":{"self":[{"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/posts\/210354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/comments?post=210354"}],"version-history":[{"count":1,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/posts\/210354\/revisions"}],"predecessor-version":[{"id":210356,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/posts\/210354\/revisions\/210356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/media\/210355"}],"wp:attachment":[{"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/media?parent=210354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/categories?post=210354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.montclair.edu\/arts\/wp-json\/wp\/v2\/tags?post=210354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}