[Our hardworking staff \u00a0continues to curate and build their list of new things worth reading on the Web — as well as in the analogue world. – Ed.]<\/p>\n
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Naomi S. Baron. Redefining Reading: The Impact of Digital Communication Media<\/strong>. <\/a>PMLA<\/em>, 128.1, January 2013.<\/p>\n <\/p>\n Robert Darnton. The National Digital Public Library is Launched! <\/a><\/strong>The New York Review of Books, April 2013.<\/p>\n <\/p>\n Julia Floberg and Alan S. Brown. \u00a0Engaging College Students in the Performing Arts: Case Studies in Good Practice<\/strong><\/a>. Research Commissioned by the Hopkins Center for the Arts at Dartmouth College. May 2013 [Montclair State University’s ACP-RAUL “Creative Campus” project is featured; see<\/em> \u00a0study no.4]<\/p>\n <\/p>\n Kenneth Goldsmith. UbuWeb.<\/a><\/strong> [“Archiving is the new folk art…Our relationship to the cultural artifact has shifted in this age of insane abundance.”]<\/p>\n <\/p>\n David Greene. Invitation to a Dialogue: The Art of Teaching<\/a>.<\/strong> The New York Times<\/em>, April 30, 2013.<\/p>\n <\/p>\n The Journal of Emerging Learning Design<\/a>.<\/strong><\/em> Issue 1. April, 2013. [Montclair State University]<\/p>\n <\/p>\n Eric R. Kandel. The Age of Insight: The Quest to Understand the Unconscious in Art, Mind and Brain<\/a>.<\/strong> New York: Random House, 2012.<\/p>\n <\/p>\n Elka Krajewska. Salvage Art Institute<\/strong>. \u00a0[“…a term borrowed from the art insurance lexicon, refers to work removed from art circulation due to accidental damage.”]<\/p>\n <\/p>\n