{"id":23,"date":"2017-09-12T19:14:13","date_gmt":"2017-09-12T19:14:13","guid":{"rendered":"http:\/\/www.montclair.edu\/university-art-galleries-george-segal-gallery\/?page_id=23"},"modified":"2026-01-28T11:34:15","modified_gmt":"2026-01-28T16:34:15","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/www.montclair.edu\/galleries\/exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"<h2>Current<\/h2>\n<div class=\"prpl-row\"><div class=\"prpl-column one-third\">\n<figure class=\"responsive-image-holder wp-caption alignnone\"><img decoding=\"async\" class=\"mlt-responsive-image\" data-original-image=\"\/galleries\/wp-content\/uploads\/sites\/146\/2025\/12\/Nancy-Pantirer_Metaphorically_BC.jpg\" src=\"\/responsive-media\/cache\/galleries\/wp-content\/uploads\/sites\/146\/2025\/12\/Nancy-Pantirer_Metaphorically_BC.jpg.0.1x.generic.jpg\" alt=\"An abstract painting containing squares, circles, and rectangles in neutral colors.\"\/><\/figure>\n<\/div><div class=\"prpl-column two-thirds\">\n<p><em><strong>Carpe Diem: Select Alumni in the Visual Arts<br \/>\n<\/strong><\/em><strong>February 3 \u2013 May 3<\/strong><br \/>\n<strong>George Segal Gallery<\/strong><\/p>\n<p><em>Carpe Diem <\/em>is a group exhibition, presented by Montclair State University\u2019s Office of Alumni Engagement and Development and hosted by the University Galleries, features distinguished alumni working across media including painting, photography, video and sound.<\/p><\/div><\/p><\/div>\n<span class=\"prpl-button full-width\"><a href=\"https:\/\/www.montclair.edu\/galleries\/carpe-diem-select-alumni-in-the-visual-arts\/\">Learn more about this exhibition<\/a><\/span>\n<hr \/>\n<h2>Past Exhibitions<a name=\"pastexhibitions\"><\/a><\/h2>\n<ul>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/afrotectopias-black-metal\/\"><strong><em>The Age of Black Metal <\/em>by Afrotectopia<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/layo-bright-invasive-blooms\/\">Layo Bright: <em>Invasive Blooms<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/naye-perez-teaching-to-transgress\/\">Na&#8217;Ye Perez:\u00a0<em>Teaching to Transgress<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/the-backend\/\"><em><strong>The Backend<\/strong><\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/caroline-garcias-dancing-on-axes-and-spears\/\">Caroline Garcia&#8217;s\u00a0<em>Dancing on Axes and Spears<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/nothing-under-heaven-by-joseph-liatela\/\"><em>Nothing Under Heaven<\/em> by Joseph Liatela<\/a><\/li>\n<li><a href=\"http:\/\/www.montclair.edu\/galleries\/exhibitions\/ajamu-kojos-black-wall-street-a-case-for-reparations\/\">Ajamu Kojo&#8217;s<em> Black Wall Street: A Case for Reparations<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/techknowfuture\/\">Tech\/Know\/Future\/ From Slang to Structure<\/a><\/li>\n<\/ul>\n<h3>Case Studies<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-4-hilliary-gabryel-side-sleeper\/\">Case Studies 4: Hilliary Gabryel \u2013 <em>Side Sleeper<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-3-joseph-parra-the-edge-of-flesh-and-blood\/\"><strong>Case Studies 3: Joseph Parra \u2013<em> the edge of flesh and blood<\/em><\/strong><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-2-justin-cloud-the-garden\/\">Case Studies 2: Justin Cloud \u2013<em> The Garden<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/case-studies-damien-davis\">Case Studies 1:\u00a0Damien Davis \u2013<em> OLD CURRENCIES<\/em><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Current Past Exhibitions The Age of Black Metal by Afrotectopia Layo Bright: Invasive Blooms Na&#8217;Ye Perez:\u00a0Teaching to Transgress The Backend Caroline Garcia&#8217;s\u00a0Dancing on Axes and Spears Nothing Under Heaven by Joseph Liatela Ajamu Kojo&#8217;s Black Wall Street: A Case for Reparations Tech\/Know\/Future\/ From Slang to Structure Case Studies Case Studies 4: Hilliary Gabryel \u2013 Side [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":3002,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-23","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":76,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":3006,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23\/revisions\/3006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/media\/3002"}],"wp:attachment":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}