Elizabeth McPherson is an associate professor and coordinator of the BA in Dance at Montclair State University. She received her BFA from Juilliard, followed by an MA from The City College of New York, and a PhD from New York University. She is the author of "The Bennington School of the Dance: A History in Writings and Interviews" and "The Contributions of Martha Hill to American Dance and Dance Education, 1900-1995," in addition to articles and reviews for Ballet Review, Dance Teacher Magazine, Attitude: The Dancers’ Magazine and The Journal of Dance Education. McPherson has staged numerous 20th century dance works from Labanotation, such as Charles Weidman’s "Lynchtown," Antony Tudor's "Continuo," and excerpts from Anna Sokolow’s "Scenes from the Music of Charles Ives." She is a board member of the Martha Hill Dance Fund and on the professional advisory committee of the Dance Notation Bureau. Performance credits include: Ernesta Corvino’s Dance Circle Company, Avodah Dance Ensemble, and the Louis Johnson Dance Theatre.
The focus of Elizabeth McPherson's research is teaching and learning in dance education with an emphasis on history. In addition and as part of this specialization, she has expertise in the fields of both ballet and modern dance, and stages dances from Labanotation, a written form of dance. Her most recent book, The Bennington School of the Dance: A History in Writings and Interviews (http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-7417-2), was published in May of 2013. At Montclair State, she teaches Ballet, Dance Appreciation, Dance for Children, Dance History, Dance Methods, New Student Seminar, and Repertory.