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Alan Berliner's uncanny ability to combine experimental cinema, artistic purpose, and popular appeal in compelling film essays has made him one of America's most acclaimed independent filmmakers. The New York Times has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life."
In the spirit of his highly acclaimed experimental documentary films, Intimate Stranger (1991), Nobody’s Business (1996), and The Sweetest Sound (2001), Berliner once again uses his own life as a laboratory – this time to confront both the anguish of his sleeplessness, and the blessing of extra time that it affords.
Berliner's experimental documentary films have been broadcast all over the world, and received awards, prizes, and retrospectives at many major international film festivals. The San Francisco International Film Festival called Berliner, “America’s foremost cinematic essayist.” The Florida Film Festival called him “the modern master of personal documentary filmmaking.” All of his films are in the permanent collection of the Museum of Modern Art.