- Schmitt Hall 241D
- 973 655-7292
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- Laurea:Università degli Studi di Trieste (Italy)
- PhD:University of California, San Diego
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Associate Professor and Inserra Chair in Italian And Italian American Studies, Spanish and Italian
She received her B.A. in Italy (University of Trieste) and her Ph.D. in the Literature Department at the University of California, San Diego (2002), and taught as Assistant and Associate Professor at California State University Long Beach prior to this appointment at MSU. The recipient of several fellowships (De Bosis at Harvard University, Rockefeller at Bellagio, and Fulbright), she has been Visiting Assistant Professor at Harvard University (2007), NYU (2008), and Rutgers University (2009). Since 2011 she has been affiliated with the Center for European and Mediterranean Studies at NYU. For her publications and academic presentations, see Specialization section and full CV below.
*The Theresa and Lawrence R. Inserra Endowed Chair was created through a major gift of Lawrence R. Inserra, Jr. and thanks to the support of UNICO National and individual donors. Besides the regular duties of a professor (teaching, research, and service), the responsibilities of the Chair include the development of research projects, cultural programs, and educational activities vital to the continued growth of Italian and Italian American Studies at Montclair State University. Teresa Fiore started in this position in Jan. 2011.
For the INSERRA WEB SITE, see http://www.montclair.edu/inserra (click on Events from the left menu)
Fiore's teaching and research interests include 19th-, 20th-, and 21st-century Italian literature, Italian cinema, Italian American culture, and immigration in contemporary Italy, with a theoretical focus on space.
PUBLICATIONS (for a full list see CV below)
The editor of the 2006 issue of Quaderni del ‘900, devoted to John Fante, Fiore has completed her book manuscript, entitled Pre-Occupied Spaces: Re-Mapping Italy’s Emigration, Immigration, and (Post-)Colonialism (accepted for publication by Fordham University Press, see details under Research project). Fiore's essays on issues of Italian migrations, space, and identity have appeared in journals (Annali d’Italianistica, Diaspora, Forum Italicum, VIA Voices in Italian Americana, Bollettino d'Italianistica) and edited books such as the MLA volume Teaching Italian American Literature, Film, and Popular Culture (2010); The Cultures of Italian Migration: Diverse Trajectories and Discrete Perspectives (Fairleigh Dickinson, 2011); Postcolonial Italy: Challenging National Homogeneity (Palgrave, 2012 - in Italian translation, Le Monnier-Mondadori, 2014). Forthcoming publications in edited volumes include essays on undocumented immigration (El hilo de La fabula, Argentina, 2015)and contemporary immigration from Italy to the U.S. (University of Illinois Press, 2016; Routledge, 2017), as issues discussed in film, music, and literature by and about migrants.
ACADEMIC PRESENTATIONS (for a full list see CV below)
Besides regularly giving papers at professional association conferences (MLA, PAMLA, NeMLA, AAIS, AATI, and AIHA/IASA), Fiore has also presented her research work at international conferences (University of Oxford, The British School at Rome, Dartmouth College) and as invited lectures (Harvard, Duke, Rutgers, Georgetown, Princeton). She gave the keynote address at the 2010 Conference on Romance Literatures (University of North Carolina, Chapel Hill). In Feb. 2016 she will present at Columbia University.
EDITORIAL / ACADEMIC ADVISORY BOARDS
* gender/sexuality/Italy, an online annual, peer-reviewed journal on gendered identities in Italian politics, culture, and society (www.gendersexualityitaly.com/)
* The Routledge History of Italian Americans (800-page volume co-edited by Stanislao Pugliese and William J. Connell, scheduled to be published in 2017).
* Book review editor of Altreitalie, a Turin-based journal on the Italian diaspora (2009-12).
EXTERNAL MEMBER OF DISSERTATION COMMITTEES
* Arianna Fognani, Rutgers University (Italian intellectuals in/from Egypt) 2015
* Sarah DeMott, NYU (Sicilian immigrant communities in Tunisia) 2015
* Anita Pinzi, CUNY Graduate Center (Contemporary Italian Albanian writers) 2015
* Giusy Di Filippo, University of Wisconsin (Contemporary Italian immigrants writers) 2012
* Eveljn Ferraro, Brown University (Italian American and Canadian writers) 2010
* The Italian American Experience (graduate and undergraduate)
* Contemporary Italian Cultural Studies
* Immigration Culture in Italy
* Italian Americans in Film
* Survey of Italian Literature II: 19th and 20th century
* Survey of Italian Cinema
* Sicilian Literature and Art
* Open Cities: Urban Spaces and Transnational Cultures in 19th- and 20th-century Italian Literature (graduate)
* Pre-occupied Spaces in Immigration Literature and Film in Italy (graduate)
* Italian Composition (Literature for Children from Collodi to Rodari)
* Italian Language and Conversation (all levels)
- Monday 11:30 am - 12:30 pm
- Thursday 11:30 am - 12:30 pm
Pre-Occupied Spaces: Re-Mapping Italy's Emigration, Immigration, and (Post)-Colonialism
In this upcoming book on cultural spaces (to be published by Fordham University Press), the analysis of stories about outbound and inbound migrations as well as colonialism-related movements sheds light on the history of Italian national formation and identity. The study embraces a wide variety of texts by Italian and migrant authors ranging from fiction (di Donato, Melliti, Pariani, Lakhous) to film (Crialese, Marra, Ferrente), memoir (Ragusa, Tekle), songs (Mignonette) and architectural sites (the Watts Waters). Divided in three parts addressing waters (the space of travel), houses (the living space), and workplaces (the space of labor) respectively, the book adapts theories of space to the specific context of migration cultures. The book's title places emphasis on the preoccupation, i.e., the concern/fear fostered by the arrival and presence of immigrants in contemporary Italy as well as on the country's pre-occupation with a long history of emigration, which is often the object of amnesia or reductive celebrations.