Acting, Theatre Studies Faculty

Department of Theatre and Dance

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Full-Time

Neil Baldwin   Neil Baldwin, Ph.D.
Professor
Director, The Creative Research Center
dramaturgy, danceaturgy, play script interpretation, graduate theatre criticism and arts
administration, Theta Alpha Phi
Phone: 973-655-7340
baldwinn@mail.montclair.edu
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Neil Baldwin, PhD, critically-acclaimed author, editor, and cultural historian, has published many works of nonfiction and biography over the course of his long career in the arts. As Professor in the Department of Theatre and Dance, he has created two new courses representing his teaching passions: Introduction to Dramaturgy: The Questioning Spirit (for undergraduates); and How to Run a Nonprofit Arts Organization (for the graduate MA Program in Arts and Museum Management). He also focuses upon introductory classes in The Theatrical Medium and Play Script Interpretation. Dr. Baldwin invented a new writing and critical discipline, "Danceaturgy," in which he works in close collaboration with the Dance Division faculty and students exploring the arc of the repertory every year; and shares his broad historical expertise as "Talk Back" moderator for many performing arts productions. As a further teaching innovation, Dr. Baldwin engages in ongoing email correspondence with faculty and students in drama and dance over the course of the semesters' productions. He is founding Director of The Creative Research Center, and serves with great pleasure as Faculty Advisor to the Theatre and Dance Honor Society, Theta Alpha Phi.


Heather Benton
Acting Coordinator, BFA Acting Program
Professor
Acting
973-655-3085
bentonh@mail.montclair.edu
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Eric Diamond   Eric Diamond, MFA
Deputy Chairperson, Theatre
Professor

Theatre, Musical Theatre
973-655-3120
diamonde@mail.montclair.edu
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Eric Diamond is a Professor of Theatre and Chairman of the Department of Theatre and Dance, as well as coordinator of the Musical Theatre minor. He has written and directed two original musicals produced by the department, Speak Easy and A Day in the Life. Eric earned his BFA in Music Composition from Penn State University, and his MFA in Musical Theatre from Temple University. Before coming to Montclair State, Eric spent over eleven years working in professional theatre in New York City. Off-Broadway he musical directed and/or composed music for Playwright's Horizons, The American Globe Theatre, The Acting Company, and on Broadway for George Abbott's musical play Broadway which played at the Royale Theatre. He was a member of ASCAP’s Musical Theatre Composer’s Workshop has spent two seasons at both the Williamstown Theatre Festival as resident composer and musical director, and at the Edinburgh Festival Fringe in Scotland. He has musical directed departmental productions such asPippin, Gypsy, Grease, Godspell, The Mystery of Edwin Drood, A Chorus Line andFiddler on The Roof and has composed and arranged incidental and vocal music for productions such as A Midsummer Night’s Dream, Inherit The Wind, The Grapes of Wrath, and Nicholas Nickleby. Eric created the musical arrangements and orchestrations and played keyboards for The Best of Broadway, a College of the Arts musical production that traveled to the Ukraine and to Holland. He composed and arranged music for Shakespeare’s Love’s Labour’s Lost at the University of the Arts’ Artsbank Theatre in Philadelphia.


Mary English, Ph.D.*
Associate Professor, Classics Department
Theatre History, Comedy, Tragedy
973-655-5135
englishm@mail.montclair.edu
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*note: Based in the College of Humanities


 Susan Kerner Susan Kerner, MFA
Associate Professor
Acting, Directing
973-655-4454
kerners@mail.montclair.edu
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Susan Kerner is an Associate Professor in the Department of Theatre and Dance. A member of the Society of Stage Directors and Choreographers, her directing credits include productions in New York, London, Shanghai, and at major regional theatres throughout the United States including the Tony Award-winning Cincinnati Playhouse in the Park, Indiana Repertory Theatre, and Meadow Brook Theatre (MI). As Resident Director at George Street Playhouse for 10 seasons, her critically acclaimed productions include the American premiere of Tom Kempinski’s SEPARATION and the world premiere of James Still’s award-winning AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK. Professor Kerner has taught and directed at The American Academy of Dramatic Arts, New York University in London, Rutgers University, and Drew University. She served on a National Endowment for the Arts Theatre Panel for Education and Access and the National Advisory Committee for the Theatre Praxis. A 1996 recipient of the New Jersey Governor’s Award in Arts Education, Ms. Kerner holds graduate degrees in Dramatic Literature from Columbia University and Directing from Boston University. She was a Fulbright Scholar in India and has taught and directed theatre programs in Greece, Italy, England, China, and Korea.


Jane Peterson   Jane T. Peterson, Ph.D.
Graduate Program Coordinator
Associate Professor
Theatre History, Drama Criticism
973-655-4109
petersonj@mail.montclair.edu
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Jane Peterson teaches theatre history, play analysis, and criticism in both the undergraduate and graduate programs at MSU. She is the author of the 30 dramaturgical essay series “Plays in Performance” for the 2009 edition of The Norton Anthology of Drama (2009). Her research in American Theatre includes women (contemporary playwrights, Cheryl Crawford), scenographer Robert Edmund Jones, and the representation of Muslims in American drama from the late 18th century to 1950. In addition to writing Women Playwrights of Diversity, she has authored numerous articles in books, journals and encyclopedias. Jane Peterson is also a professional dramaturg who has worked in many theatrical capacities at theatres across the country and in the film industry.


 Deborah Saivetz Deborah Saivetz, Ph.D.
Coordinator, Theatre Studies Program
Associate Professor
Acting, Directing, Ensemble Performance
973-655-3353
saivetzd@mail.montclair.edu
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Deborah Saivetz coordinates the Theatre Studies program in the Department of Theatre and Dance. She has directed and developed new work with New York and regional theaters such as The Foundry, Rattlestick Playwright’s Theater, Ensemble Studio Theater, New Dramatists, Voice & Vision, Red Bull Theater, INTAR, the Goodman, the Guthrie, Long Wharf and Seattle Rep. Her directing credits include Javier Malpica’s Our Dad Is in Atlantis (Working Theater), Sarah Ruhl’s Late:A Cowboy Song (Clubbed Thumb), Catherine Filloux’s Passion.com (HB Playwrights’ Theater), Carmen Rivera’s The Next Cycle (Women’s Project & Productions), Caridad Svich’s Twelve Ophelias (Baruch Performing Arts Center), and Elizabeth Egloff’s The Nose (Drama League of New York). Regional theater directing credits include Jorge Ignacio Cortiñas’s Bird in the Hand (Hartford Stage), Svich’s Perdita Gracia and Egloff’s Phaedra (New York Stage and Film/Powerhouse Theater), her own adaptation of Donald Barthelme’s Novel The King (ShakespeareTheatre of New Jersey), and Wallace Shawn’s Marie and Bruce (Parallax Theater, Chicago). For the Lark Play Development Center’s U.S./Mexico Playwright Exchange, she directed Irela de Viller’s Quetzalcoatl Puddle, Cutberto López’s Yamaha 300, Verónica Musalem’s Adela and Juana, and Jorge Celaya’s Van Gogh in New York. She directed the Spanish-language translation of Sarah Ruhl’s The Clean House for Mexico City’s DramaFest ‘08, and is collaborating with the Oaxaca-based Teatro Cuauhpanco on a Spanish-language production of Ruhl's Eurydice. Saivetz is a New Georges Affiliate Artist, an alumna of the Soho Rep Writer/Director Lab, a Drama League Directing Fellow, and was a 2004–2005 Resident Director at New Dramatists. She is the author of An Event in Space: JoAnne Akalaitis in Rehearsal.


Part-Time Faculty/Adjuncts/Visiting Specialists

Rachel Brown
Adjunct Instructor
Acting, Musical Theatre, and Dance
973-655-7000
brownrac@mail.montclair.edu
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Brian Cichocki
Adjunct Instructor
Acting, Directing
973-655-7000
cichockib@mail.montclair.edu
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Reginald Flowers
Adjunct Instructor
Acting
973-655-7000
flowersr@mail.montclair.edu
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Carole Healey
Adjunct Instructor
Voice, Speech
973-655-7000
healeyc@mail.montclair.edu
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Kyra Himmelbaum
Adjunct Instructor
Acting
973-655-7000
himmelbaumk@mail.montclair.edu
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Robin Irwin
Adjunct Instructor
Acting
973-655-7000
irwinr@mail.montclair.edu
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Susan Knight
Adjunct Instructor
Playscript Interpretation
973-655-7000
carlins@mail.montclair.edu
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Michael D. Laibson
Adjunct Instructor
Acting for Camera
973-655-7000
laibsonm@mail.montclair.edu
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Julie Lawrence-Edsell
Adjunct Instructor
Acting, Shakespeare Workshop
973-655-7000
lawrenceedsj@mail.montclair.edu
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Jim Ligon
Adjunct Instructor
Acting
973-655-5302
ligonj@mail.montcliar.edu
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Dianna Marino
Adjunct Instructor
Voice and Speech
973-655-7000
marinod@mail.montclair.edu
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Rogelio Martinez
Adjunct Instructor
Playwriting
973-655-7000
martinezrog@mail.montclair.edu
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Mercedes Murphy
Adjunct Instructor
Movement
973-655-7000
murphyme@mail.montclair.edu
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Charles Nelson
Adjunct Instructor
Theatre History
973-655-7000
nelsoncha@mail.montclair.edu
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Daniel O’Driscoll
Adjunct Instructor
Stage Combat
973-655-7000
odriscolld@mail.montclair.edu
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John Plumpis
Adjunct Instructor
Speech
973-655-7000
plumpisj@mail.montclair.edu
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Kathleen Renn
Adjunct Instructor
Theatre in Performance
973-655-7000
rennk@mail.montclair.edu
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David Roberts
Adjunct Instructor
History of Style
973-655-7000
robertsd@mail.montclair.edu
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Andrea Stover
Adjunct Instructor
Dramaturgy, Text Analysis
973-655-7000
stovera@mail.montclair.edu
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Sandra Taylor
Adjunct Instructor
Acting
973-655-7000
taylorsa@mail.montclair.edu
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Diane Zaremba
Adjunct Instructor
Voice and Speech
973-655-7000
zarembad@mail.montclair.edu
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