A Conversation with artist Francesco Simeti, Nicholas Savage (Image specialist, Maharam) and Lester Burg (MTA Arts and Design)
Mon. April 15, 2019 6:30-8:30 p.m. – Feliciano School of Business, Lecture Hall 101
Co-moderated by Livia Alexander (Art and Design, Montclair State University) and Teresa Fiore (Inserra Chair, Montclair State University) with opening remarks by Sharon Waters (Feliciano Center for Entrepreneurship)
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This fourth part of the Critical Made in Italy Series, designed and initiated by the Inserra Chair in 2016, looks at the complex and fascinating relationship between art, industry, and public spaces investigating in particular the aesthetic and political implications of the act of turning a work of art into a fine design product or a piece for broad appreciation in public spaces such as subway stations. The conversation will focus on the combination of creation and manufacturing in the Italian context with references to the U.S., and will address such questions as: Why and how do artists develop their vision in contact with for-profit companies as well as public institutions? In the former case, does their art remain a political instrument of humanistic resistance, when the artist is socially engaged, or does it fall prey to market drives? Does it move to the private sphere of consumption or can it still have a public impact? In the latter case, what processes of analysis and comprehension does art prompt when displayed in public places used by large amounts of people, often in motion?
More in general, what opportunities of artistic growth, does the combination of art, industry and public arenas offer to creative minds in terms of personal expression, achievement of collective needs, as well as financial stability?
His reflections on violence, pollution, desensitization and alienation are delicately addressed in works of art that are simultaneously soothing and playful. He has collaborated with several companies both in Italy and the U.S. for the creation of interior design elements such as wallpapers, curtains, and screens (Moroso/Metamorphosis, Maharam, Flos, Alcantara) as well as textiles for fashion lines (Miroglio/ Metri d’arte, Mother of Pearl). Simeti is also regularly involved in public art projects in which he engages with his classic themes – the natural environment and technology – in spaces such as subway stations (MTA in NYC), state offices (Health Department in Oregon), and even abandoned villages (Civita di Bagnoregio with Airbnb).
A&D has 50 active public art projects and over 300 installed permanent works throughout the transit system and oversees music, poetry and digital/photography programs. Burg has managed permanent art projects, from proposal to installation, ranging from neighborhood scale to new subway stations in Manhattan. He has worked with such artists as Xenobia Bailey, Chuck Close, Sarah Sze, Vik Muniz, Jean Shin, Yoko Ono and Firelei Baez on permanent installations. Among Italian and Italian American artists, he has collaborated with Francesco Simeti and Stephen Miotto. Burg is Chair of the Public Art Network Council of Americans for the Arts.
Throughout his ten-year partnership with Maharam, Nicholas has worked on a variety of projects including the Maharam Serpentine Galleries Wallpaper collection and Maharam Digital Projects, which are print-on-demand, uneditioned, large-scale digital wall installations. He has worked closely with Cecilia Alemani, curator of the High Line, FRIEZE New York, and Art Basel, and Massimiliano Gioni, director of the New Museum. Nicholas has collaborated with several contemporary artists ranging from Ai Weiwei to Francesco Simeti, and including Vito Acconci, John Baldessari, Maurizio Cattelan, Paola Pivi, Robert Lazzarini, and Fred Tomaselli.
A creative entrepreneur, Alexander has set up pioneering institutional frameworks and dynamic knowledge bases in the U.S, the Middle East, North Africa and Europe to nourish and sustain artistic practice. Her award-winning scholarly writing has appeared in the Journal of Visual Anthropology, Framework, MERIP, and as book chapters and catalog essays. She regularly contributes to Hyperallergic, Harpers Bazaar Art Arabia, ArtsEverywhere, and Art Africa. Her current research and curatorial practice is centered on the built environment at the nexus of urban place-making and social practice, with a current thematic residency, “Dirt & Debt”, which she is co-curating with collaborator Jane Philbrick at Residency Unlimited in New York.
Her numerous articles on migration to/from Italy linked to 20th- and 21st-century Italian literature and cinema have appeared in Italian, English and Spanish in both journals (Annali d’Italianistica; El hilo de la fabula; Diaspora; Journal of Italian Media and Cinema Studies) and edited volumes (Postcolonial Italy; The Routledge History of Italian Americans; and New Italian Migrations to the United States, Vol. 2). On campus, she coordinates programs on Italy’s transnational culture (montclair.edu/inserra-chair), including various events about Art and Architecture and activities about Italian, Business and Industry, such as the Critical Made in Italy series.
- Organized and sponsored by the Inserra Chair in Italian and Italian American Studies at Montclair State University, in collaboration with the Italian Program (Department of Modern Languages and Literatures) at Montclair State University
- Co-presented with the Department of Art and Design and the Feliciano Center for Entrepreneurship at Montclair State University
- Inspired by a collection of essays edited by Daniele Balicco (Made in Italy and Culture), the Critical Made in Italy Series was introduced by the Inserra Chair as a space that on the University campus has for the first time opened up a regular and layered conversation about Italian creativity, national identity formation, and transnational circulation of ideas and products. Since 2016 scholars, artists, and professionals in the cultural industry, etc. have contributed to an exchange that explores the complex relationships between culture, business, language, and politics rather than simplistically celebrating one individual country as a business model. The series is part of a larger effort – the Italian and Business project – to which the Inserra Chair has contributed since 2014 with new ideas, organizational know-how, network of contacts and substantial financial support through the Endowment created thanks to the generosity of Mr. Inserra.
- Banner photo credit: © 2014 Francesco Simeti, Maharam under license.